sleep talk
for chamber ensemble (2025)
wasting
for chamber ensemble (2025)
Songs composed by Goat Girl originally as part of their album Below the Waste (2024)
Arrangements for chamber ensemble by Goat Girl and Matt Collins, as part of Below the Waste – Orchestrated (2025) project
Degradation
for string quartet and live electronics (2023-24)
(c. 12'30'')
Antecedent
for solo piano (2020-21)
(c. 26')
Recording (August 2021):
Produced by Matt Collins and Harris Ferguson
Performed by David Palmer
Kopf
for ensemble (2020)
(c. 9')
Performances:
Ensemble ISIS – December 2020 at the Faculty of Music, Oxford
Workshop performance by CHROMA, conducted by John Traill – October 2020 at the Jacqueline du Pré Building, Oxford
CHROMA:
Sarah O'Flynn – Flute
Stuart King – Clarinet
Caroline Balding – Violin
Cecilia Bignall – Cello
Roderick Chadwick – Piano
Fog
for trombone and electronics (2019)
(c. 6')
Performances:
Sebastiaan Kemner – May 2019 at Modern Art Oxford as part of EMPRes: Art of Noises III
Unmeasured
for large ensemble and live electronics (2019)
(Variable - c. 4'-6')
Performances:
Workshop performance by Ensemble ISIS, conducted by John Traill – January 2019 at the Faculty of Music, Oxford
Disenchantment
for mezzo-soprano, piano and optional live electronics, with text by Eleanor Brooks (2018)
(c. 4'30'')
Performances:
Clare McCaldin and Libby Burgess – October 2018 at The Shulman Auditorium, The Queen's College, Oxford
Recording (September 2018):
Produced by Matt Collins
Performed by Lia Harlin and Sally Goodworth
Clockwork
for violin, vibraphone, and live electronics (2018)
(c. 8')
Performances:
Maz Sutton and Max Rodney – February 2019 at the Jacqueline du Pré Building, Oxford
Recording (September 2018):
Produced by Matt Collins
Performed by Anna de Bruin and Aaron Parker
Nuance
for ondes Martenot and live electronics (2018)
(c. 6')
Performances:
Nadia Ratsimandresy – November 2019 at Huddersfield Contemporary Music FestivaI
Recording (September 2018):
Produced and performed by Matt Collins using Moog Sub 37 synthesiser to emulate ondes Martenot.
Machine
for string quartet (2017)
(7')
Performances:
Brother Tree – December 2017 at St Ethelburga's Centre, London
Recording (June 2017):
Produced by John Croft and directed by Christopher Fox
Performed by Manon Quartet
Resonance
for harpsichord and live electronics (2017)
(c. 6')
Recording (May 2017):
Produced by Matt Collins
Performed by Reuben Kyriakides
June
for soprano saxophone, alto saxophone, and Moog Sub 37 synthesiser (2017)
(c. 6')
Performances:
Bex Lycett, Katie Bunney, and Matt Collins – March 2023 at the Royal College of Music
Christopher Hill, Katie Bunney, and Matt Collins – November 2018 at Modern Art Oxford as part of EMPRES: Art of Noises II
Recording (May 2017):
Produced by Matt Collins
Performed by Emma Pain, Chloe Hardaker, and Matt Collins
Machine
for flute, Theremin, solo male voice, and Nord synthesiser (2017)
(7')
Recording (May 2017):
Produced by Matt Collins
Performed by Wil Pritchard, Tanisha Hough, and Matt Collins
Crossjam (with Dan Christovic)
from the album E x 1 . (2017)
(3'45'')
Dan Christovic: Guitars, bass, drum sequencing, production, arrangement, concept, album art, mixing and mastering
Matt Collins: Synthesiser and arrangement
Record
for small ensemble (2016)
(c. 5'30'')
Performances:
Apartment House – February 2017 at Brunel University London
Sharp
for solo flute (2016)
(c. 3'30'')
Performances:
Berglind Tómasdóttir – March 2017 at Brunel University London
Evolute
Electroacoustic composition (2016)
(3'59'')